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Splendid Says... This remarkable sextet delivers a classy combination of post-rock and kinky '80s synth pop -- but the AJO isn't your typical rock band. They prefer to mix things up with multiple drum tracks, a DJ and influences that range from electronic goth to hip-hop. "Firecracker" includes fast-paced rapping that could pass for the work of KRS-One. The quirky keyboards and super-tight drumming give way to Jana Privette's sultry -- she sounds sugary, but also eerie, akin to Björk injected with energy serum. "Firecracker" has "unexpected underground indie hit" written all over it, and college radio stations should be lining up with turntables in hand as you read this. "Abacus" is slower, layering drums over a pulsating bass rhythm. Privette sings more sensually, thickly accenting particular words and lingering on certain phrases. The accompanying music acts like a thick fog, enveloping her in a hazy, late-night vibe. "XYC" (Come Inside) is Side B's only track, but it's the most effective and powerful of the three. The song's Euro-pop flavor can be attributed to the reverb-soaked vocals, comped chords and space-age samples that loom in the background. It takes a sharp turn half-way through, switching into a deep drum and bass beat complete with a krautrock vibe. It's difficult to pinpoint AJO's exact sound, but there's no doubt that the band can wrangle its disparate influences into wildly infectious tunes that take their cues from past and future alike. It's all thumbs up for this unusually tempered release -- and the sleek packaging and apple-green vinyl won't disappoint, either! -- Andrew
Magilow
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